02
Jury Panel
Bryce Di Cristofalo
Director, Screenwriter
Bryce Di Cristofalo is a celebrated filmmaker and screenwriter whose creative work has earned numerous accolades. His award-winning films include I Am La, Bitter Is Better, and FATALE. In 2009, he embarked on his most ambitious project to date—a feature film titled After the Disaster. Based on his original comic book VS, the project took nearly four years to complete, from scriptwriting to filming and poster design, all handled independently by Bryce.
VS premiered at the 65th Cannes Film Festival in 2012, earning critical acclaim and strong commercial success in Germany, the UK, and several other international markets. Bryce is currently developing a crime thriller titled Pink, inspired by Michael Mann’s debut film Thief. His bold storytelling and directorial innovation bring a unique perspective to the AAAIFF jury.
Jingai (Ann) Li
Producer
Jingai Li is a seasoned visual effects artist and production designer with over a decade of experience in China’s film industry. Her multidisciplinary background includes market promotion, web development, human resources, and legal consultancy, granting her an exceptional understanding of corporate culture and strategic sensibility.
Jingai’s extensive knowledge of the Chinese film market is complemented by her deep insights into East and Southeast Asia's cinematic landscapes. She has mastered every phase of film production, with particular expertise in post-production visual effects and film marketing strategies. Her ability to merge technical precision with creative storytelling makes her a formidable presence on the jury panel.
Shane Hurlbut, A.S.C
Cinematographer
Shane Hurlbut is an internationally acclaimed cinematographer known for his groundbreaking work on multi-million-dollar blockbusters. As a pioneer in innovative filmmaking techniques, Shane constantly pushes the boundaries of technology and creativity.
One of Shane’s most notable achievements was his work on Act of Valor, shot primarily on the Canon 5D Mark II, marking the first unabridged narrative feature filmed with an HDSLR camera. His meticulous craftsmanship and ability to harness lighting to enhance storytelling make him a celebrated figure in the world of cinematography.